簡(jiǎn)介：A young theater teacher takes his students to a children’s theater festival in Sochi. This story could have been about talented children and their charismatic, rebellious teacher, but it is a story about losing.

簡(jiǎn)介：1949年，飽受戰(zhàn)爭(zhēng)重創(chuàng)的意大利城市那不勒斯，孤兒卡明和塞萊斯蒂娜相依為命。登上一艘海軍艦艇，兩個(gè)孩子橫跨大西洋，前往紐約尋找塞萊斯蒂娜失散已久的姐姐。但是來(lái)到陌生的國(guó)度，手中的地址沒(méi)能指引親人的方向，一場(chǎng)新的冒險(xiǎn)又揭開(kāi)帷幕。本片以費(fèi)里尼塵封的劇本為底稿，卻弱化了“費(fèi)里尼式”的躁動(dòng)和怪誕，取而代之的是溫馨質(zhì)樸，仿佛一出傳統(tǒng)的意大利三幕歌劇。導(dǎo)演借由兩個(gè)意大利孩子的眼睛，用新現(xiàn)實(shí)主義筆觸浸泡童話(huà)濾鏡，在戰(zhàn)后的創(chuàng)傷褶皺中打撈希望的光塵，引領(lǐng)觀眾穿梭回七十多年前，置身于滿(mǎn)是瓦礫的那不勒斯、小世界般的越洋航船和充滿(mǎn)了新世界氣息的紐約。

簡(jiǎn)介：歐陽(yáng)偉業(yè)（古天樂(lè) 飾），一個(gè)平平無(wú)奇的私家偵探，卻在一次跟蹤行動(dòng)中，意外被卷入一起駭人血案——妙齡女子慘遭虐殺，猙獰血痕遍布頸間！然而，這僅僅是一個(gè)開(kāi)始，離奇的雨夜車(chē)禍、無(wú)辜女性被逼殉情、準(zhǔn)新娘婚前慘遭毒手……當(dāng)潘多拉魔盒在血色中開(kāi)啟，一場(chǎng)以情債為名的獵殺游戲正式開(kāi)啟。                                                                    　　血色倒計(jì)時(shí)即將歸零，你，是否敢窺探銀幕上的這場(chǎng)桃色獻(xiàn)祭？躺在病床上的神秘女人，封閉豪宅里的殉情儀式，這場(chǎng)交織著情欲與復(fù)仇的罪惡之網(wǎng)，到底還隱藏著哪些不為人知的終極秘密？大尺度桃色罪案即將掀開(kāi)血腥的一角……

簡(jiǎn)介：成都，重陽(yáng)節(jié)。夏嬋夢(mèng)見(jiàn)自己從高樓之上一躍而下。嘈雜的城市，簡(jiǎn)陋的違建房里，她似乎只能聽(tīng)到自己和腹中生命的心跳聲。數(shù)年后的一個(gè)夏天，脫胎換骨的她一如既往推杯換盞。拿著她照片的12歲女孩夏小芒，從遠(yuǎn)方來(lái)。夏嬋的態(tài)度多變，令小芒無(wú)所適從。直到她認(rèn)識(shí)了剛剛成年的女孩蔣愛(ài)，為她打開(kāi)了這座城市的另一面。炎熱的夏天，事情變得劇烈起來(lái)，而康桂珍的出現(xiàn)，預(yù)示著這個(gè)夏天的結(jié)束。

簡(jiǎn)介：一名巴西爸爸與女兒的阿根廷公婆針?shù)h相對(duì)，巴里洛切之旅由此變?yōu)橐粓?chǎng)關(guān)于地域自尊和爭(zhēng)強(qiáng)好勝的搞笑鬧劇。

簡(jiǎn)介：Kaveh Tehrani's coming-of-age film is an adaptation of Gulraiz Sharif's 2020 novel, depicting the increasingly complex summer vacation of 15-year-old Mahmoud. Not only does a sociable uncle from Pakistan visit, but Mahmoud must also navigate the family crisis that unfolds when his little brother Ali has a secret that turns their whole world upside down.                                                                    　　It doesn't take long for the film to set the tone: The protagonist, Mahmoud, almost immediately breaks the fourth wall, seamlessly taking on the role of the narrator. The film doesn't look back: it brims with techniques and devices that inject energy into the narrative and provide a framework for the themes, taking us under the skin of what turns out to be a poignant, thought-provoking family drama – all wrapped in the attractive guise of comedy.                                                                    　　Questions about identity and belonging in Norwegian society (for both young and older characters) within a multicultural family from Oslo become the central driving force. The adaptation of Gulraiz Sharif's book is solidly directed by debut filmmaker Kaveh Tehrani. While the film aims to maintain its entertainment value, it also carries a sharp political edge – directed equally against society's rigid class structures and conservative family traditions. The talented child actors in the lead roles carry the heart of the film on their shoulders, ensuring that few leave the theater untouched in the end.